- Tue, 12:30: Sometimes I take pictures; ou sons les neiges d'antant? http://t.co/ehT1NBlYng #rextoon
- Tue, 12:30: RT @nalohopkinson: Pub day! My new novel, Sister Mine, is now available in bookstores.
- Tue, 14:32: RT Cory Doctorow talks DRM & you should listen. "@BoingBoing: Why Tim Berners-Lee is wrong about DRM in HTML5 http://t.co/vbrHSKSoGu"
- Tue, 14:33: RT @mistressmatisse: Sex work prohibitionist "You're not representative! Most women are trafficked, abused, exploited!" Me: "And arresti ...
- Tue, 14:34: RT @aspaul: Call me crazy, but Seth MacFarlane was a poor choice to host the papal conclave.
- Tue, 20:55: I've reviewed #ElisabethSladen's autobiography at Rex: http://t.co/LhVkDjj5D7. #DoctorWho #RexReview #SarahJaneSmith
- Wed, 01:06: Good grief, I blog! http://t.co/PSmuZh3I8a. Three cheers for (more or less) extemporaneous writing.
- Wed, 11:13: Could be good news, at least, less bad that letting it just melt: Japan extracts gas from methane hydrate http://t.co/hdoEI9FGOo
- Wed, 11:39: Must-read if you sitll hope @pmharper has nation's welfare in mind: Bitumen's Extraordinary and Popular Delusions http://t.co/Wechr7HpaH
Speaking ill of the dead
Elisabeth Sladen: the autobiography
Like many North American of a certain age, my introduction to Doctor Who was haphazard at best. The first episode I remember seeing was Robots of Death, in which Louise Jameson's Leela was the companion, not Elisabeth Sladen's Sarah Jane Smith.
Nevertheless, TV Ontario sooner or later broadcast at least a few of the Sarah Jane serials, and the buttoned-down young journalist joined the half-naked savage as my favourites among the Doctor's companions.
So I was very much part of the target audience when Sarah Jane returned to Doctor Who in the (revived) series' second season episode, "School Reunion". That production managed to please both old fans and new, so much so that Sladen's return spawned a spin-off, The Sarah Jane Adventures, a children's program that often managed to be quite a bit better than its big brother.
The Sarah Jane Adventures featured Sladen as its alien-fighting principal, a woman in her seventh decade who was nevertheless forever running down corridors, hopping fences and facing down monsters, even as she played reluctant mentor and den mother to her teenage co-stars. Sarah Jane Smith was so credible as a paragon of courage and intelligence that one longed to believe those traits reflected the performer as much as they did her writers.
Fan of both Sarah Jane Smith's first and third incarnations (even Sladen quite rightly acknowledges the failure of her second, in the early 1980s), I am clearly also part of the target audience for Sladen's memoir. And so it was I impatiently waited for a Canadian release of Sladen's autobiography, completed just a few months before her surprising and terribly untimely death from cancer in 2011.
Sadly, the contents between the frankly dated and cheap-looking covers pretty accurately reflect the contents of the book itself.
Though the autobiography does not stoop to gossip or cheap score-settling, neither does it offer much insight into acting; into what it was like being a feminist icon of sorts; or into Sladen's life. Those hoping for more than some amusing anecdotes about working with Jon Pertwee and Tom Baker will find in this book some tasty snacks, but nothing remotely like a full meal.
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