|Review: Doctor Who, Nightmare in Silver
||[May. 16th, 2013|07:03 pm]
Nightmare In Tedium
Neil Gaiman channels Stephen Thompson
(Which is never a good thing)
On more than one occasion, the writer Harlan Ellsion insisted his name be removed from a movie or television program and replaced with that of Cordwainer Bird in place of his own. He did it when he believed his script had been butchered: changed to the point where the on-screen result would in some way make him look bad. It was his way of "flipping the bird" at those who had ruined his work and, more, of protecting his own reputation as a screen-writer.
If Neil Gaiman doesn't have a pseudonym for similar circumstances, he should get one — and apply it retroactively to his sophomore entry as a screen-writer for Doctor Who.
"Nightmare in Silver" isn't the worst episode of this year's often-dreadful half-series (far from it) but it isn't very good, either.
It is almost inconceivable that the the writer of "The Doctor's Wife" (not to mention of the Sandman graphic novels) could have handed in a script as dramatically disjointed, as illogical and as frankly boring, as that which showed up on our television screens this past weekend. And surely, it wasn't Neil Gaiman who closed the episode with the appalling spectacle of the Doctor almost literally drooling as he ponders the sight of Clara in a skirt just "a little bit too tight".
A nightmare in silver? More like pewter, or even tin. Spoilers and snark, as usual.
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